Every word ... spinning from the cosmos to me to you.
And, well ...[1], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![1], and, well ...[2], and don't worry about any sort of meaning ...[1], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![2], and, I mean ...[1], and don't worry about any sort of meaning ...[2], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[1], and, I mean ...[2], and ... 'Er ... Lucky, Mikey?'[1], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[2], and, uh, uh, uh ... a-ROUND, come on![1], and ... 'Er ... Lucky, Mikey?'[2], and I want to be lucky, Voice, yes ... doesn't everyone?[1], and, uh, uh, uh ... a-ROUND, come on![2], and ... 'No, Lucky!' ... / ... and, what, what?![1], and I want to be lucky, Voice, yes ... doesn't everyone?[2], and I can't get the voices ...[1], and ... 'No, Lucky!' ... / ... and, what, what?![2], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[1], and I can't get the voices ...[2], and ... is it you? 'Me?!' No, not you[1], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[2], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[1], and ... is it you? 'Me?!' No, not you[2], and, I mean ... what would be the point?[1], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[2], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[1], and, I mean ... what would be the point?[2], and one pure phrase ... Voice?[1], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[2], and, everything ... EVERYTHING - !!![1], and one pure phrase ... Voice?[2], and, come on, come on, come on ... ... ...[1], and, everything ... EVERYTHING - !!![2], and ... 'Oh, oh ... "Naked golds thrashing crimson space" ... yes!' / and, yes ... that's Mallarme, man[1], and, come on, come on, come on ... ... ...[2], and ... 'That ... is ... the ... cosmos - !!!'[1], and ... 'Oh, oh ... "Nak ed g olds th rashing crim son spa ce" ... yes!' / and, yes ... that's Mallarme, man[2], and ... of course[1], and ... 'That ... is ... the ... cosmos - !!!'[2], and, I know, I know[1], and ... of course[2], and music is even better ... no nasty thoughts![1], and, I know, I know[2], and ... 'Anything else, then? Music?'[1], and music is even better ... no nasty thoughts![2], and not here, Voice, not now[1], and ... 'Anything else, then? Music?'[2], and ... 'Come on!'[1], and not here, Voice, not now[2], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[1], and ... 'Come on!'[2], and ... 'Okay'[1], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[2], and it's a toss-up between Hotel California and Malibu[1], and ... 'Okay'[2], and, so ... laters![1], and it's a toss-up between Hotel California and Malibu[2], and, well ...[3], and, so ... laters![2], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![3], and don't worry about any sort of meaning ...[3], and, I mean ...[3], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[3], and ... 'Er ... Lucky, Mikey?'[3], and, uh, uh, uh ... a-ROUND, come on![3], and I want to be lucky, Voice, yes ... doesn't everyone?[3], and ... 'No, Lucky!' ... / ... and, what, what?![3], and I can't get the voices ...[3], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[3], and ... is it you? 'Me?!' No, not you[3], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[3], and, I mean ... what would be the point?[3], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[3], and one pure phrase ... Voice?[3], and, everything ... EVERYTHING - !!![3], and, come on, come on, come on ... ... ...[3], and ... 'Oh, oh ... "N a k e d g o l d s t h r a s h i n g c r i m s o n s p a c e" ... yes!' / and, yes ... that's Mallarme, man[3], and ... 'That ... is ... the ... cosmos - !!!'[3], and ... of course[3], and, I know, I know[3], and music is even better ... no nasty thoughts![3], and ... 'Anything else, then? Music?'[3], and not here, Voice, not now[3], and ... 'Come on!'[3], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[3], and ... 'Okay'[3], and it's a toss-up between Hotel California and Malibu[3], and, so ... laters![3], and
And, well ...[1], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![1], and, well ...[2], and don't worry about any sort of meaning ...[1], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![2], and, I mean ...[1], and don't worry about any sort of meaning ...[2], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[1], and, I mean ...[2], and ... 'Er ... Lucky, Mikey?'[1], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[2], and, uh, uh, uh ... a-ROUND, come on![1], and ... 'Er ... Lucky, Mikey?'[2], and I want to be lucky, Voice, yes ... doesn't everyone?[1], and, uh, uh, uh ... a-ROUND, come on![2], and ... 'No, Lucky!' ... / ... and, what, what?![1], and I want to be lucky, Voice, yes ... doesn't everyone?[2], and I can't get the voices ...[1], and ... 'No, Lucky!' ... / ... and, what, what?![2], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[1], and I can't get the voices ...[2], and ... is it you? 'Me?!' No, not you[1], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[2], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[1], and ... is it you? 'Me?!' No, not you[2], and, I mean ... what would be the point?[1], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[2], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[1], and, I mean ... what would be the point?[2], and one pure phrase ... Voice?[1], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[2], and, everything ... EVERYTHING - !!![1], and one pure phrase ... Voice?[2], and, come on, come on, come on ... ... ...[1], and, everything ... EVERYTHING - !!![2], and ... 'Oh, oh ... "Naked golds thrashing crimson space" ... yes!' / and, yes ... that's Mallarme, man[1], and, come on, come on, come on ... ... ...[2], and ... 'That ... is ... the ... cosmos - !!!'[1], and ... 'Oh, oh ... "Nak ed g olds th rashing crim son spa ce" ... yes!' / and, yes ... that's Mallarme, man[2], and ... of course[1], and ... 'That ... is ... the ... cosmos - !!!'[2], and, I know, I know[1], and ... of course[2], and music is even better ... no nasty thoughts![1], and, I know, I know[2], and ... 'Anything else, then? Music?'[1], and music is even better ... no nasty thoughts![2], and not here, Voice, not now[1], and ... 'Anything else, then? Music?'[2], and ... 'Come on!'[1], and not here, Voice, not now[2], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[1], and ... 'Come on!'[2], and ... 'Okay'[1], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[2], and it's a toss-up between Hotel California and Malibu[1], and ... 'Okay'[2], and, so ... laters![1], and it's a toss-up between Hotel California and Malibu[2], and, well ...[3], and, so ... laters![2], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![3], and don't worry about any sort of meaning ...[3], and, I mean ...[3], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[3], and ... 'Er ... Lucky, Mikey?'[3], and, uh, uh, uh ... a-ROUND, come on![3], and I want to be lucky, Voice, yes ... doesn't everyone?[3], and ... 'No, Lucky!' ... / ... and, what, what?![3], and I can't get the voices ...[3], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[3], and ... is it you? 'Me?!' No, not you[3], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[3], and, I mean ... what would be the point?[3], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[3], and one pure phrase ... Voice?[3], and, everything ... EVERYTHING - !!![3], and, come on, come on, come on ... ... ...[3], and ... 'Oh, oh ... "N a k e d g o l d s t h r a s h i n g c r i m s o n s p a c e" ... yes!' / and, yes ... that's Mallarme, man[3], and ... 'That ... is ... the ... cosmos - !!!'[3], and ... of course[3], and, I know, I know[3], and music is even better ... no nasty thoughts![3], and ... 'Anything else, then? Music?'[3], and not here, Voice, not now[3], and ... 'Come on!'[3], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[3], and ... 'Okay'[3], and it's a toss-up between Hotel California and Malibu[3], and, so ... laters![3], and
And, well ...[1], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![1], and, well ...[2], and don't worry about any sort of meaning ...[1], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![2], and, I mean ...[1], and don't worry about any sort of meaning ...[2], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[1], and, I mean ...[2], and ... 'Er ... Lucky, Mikey?'[1], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[2], and, uh, uh, uh ... a-ROUND, come on![1], and ... 'Er ... Lucky, Mikey?'[2], and I want to be lucky, Voice, yes ... doesn't everyone?[1], and, uh, uh, uh ... a-ROUND, come on![2], and ... 'No, Lucky!' ... / ... and, what, what?![1], and I want to be lucky, Voice, yes ... doesn't everyone?[2], and I can't get the voices ...[1], and ... 'No, Lucky!' ... / ... and, what, what?![2], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[1], and I can't get the voices ...[2], and ... is it you? 'Me?!' No, not you[1], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[2], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[1], and ... is it you? 'Me?!' No, not you[2], and, I mean ... what would be the point?[1], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[2], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[1], and, I mean ... what would be the point?[2], and one pure phrase ... Voice?[1], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[2], and, everything ... EVERYTHING - !!![1], and one pure phrase ... Voice?[2], and, come on, come on, come on ... ... ...[1], and, everything ... EVERYTHING - !!![2], and ... 'Oh, oh ... "Naked golds thrashing crimson space" ... yes!' / and, yes ... that's Mallarme, man[1], and, come on, come on, come on ... ... ...[2], and ... 'That ... is ... the ... cosmos - !!!'[1], and ... 'Oh, oh ... "Nak ed g olds th rashing crim son spa ce" ... yes!' / and, yes ... that's Mallarme, man[2], and ... of course[1], and ... 'That ... is ... the ... cosmos - !!!'[2], and, I know, I know[1], and ... of course[2], and music is even better ... no nasty thoughts![1], and, I know, I know[2], and ... 'Anything else, then? Music?'[1], and music is even better ... no nasty thoughts![2], and not here, Voice, not now[1], and ... 'Anything else, then? Music?'[2], and ... 'Come on!'[1], and not here, Voice, not now[2], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[1], and ... 'Come on!'[2], and ... 'Okay'[1], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[2], and it's a toss-up between Hotel California and Malibu[1], and ... 'Okay'[2], and, so ... laters![1], and it's a toss-up between Hotel California and Malibu[2], and, well ...[3], and, so ... laters![2], and I tell you ... every word ... broken or not broken ... what do we care? / and we are so alive with it all, yes![3], and don't worry about any sort of meaning ...[3], and, I mean ...[3], and a-ROUND, and a-ROUND, and a-ROUND here ... / ... and have we lost our minds? ... and are we that lucky?[3], and ... 'Er ... Lucky, Mikey?'[3], and, uh, uh, uh ... a-ROUND, come on![3], and I want to be lucky, Voice, yes ... doesn't everyone?[3], and ... 'No, Lucky!' ... / ... and, what, what?![3], and I can't get the voices ...[3], and you, you, YOU(!) ... just focus on any, Christ ... feeling you may have / and, ha! ... that's all you need, my kook[3], and ... is it you? 'Me?!' No, not you[3], and, listen to me ... even when it's chaotic, it's correct ... and I wouldn't change one word of this[3], and, I mean ... what would be the point?[3], and when we're broken and dizzy, obviously, and when everyone is broken and dizzy ... you dig?[3], and one pure phrase ... Voice?[3], and, everything ... EVERYTHING - !!![3], and, come on, come on, come on ... ... ...[3], and ... 'Oh, oh ... "N a k e d g o l d s t h r a s h i n g c r i m s o n s p a c e" ... yes!' / and, yes ... that's Mallarme, man[3], and ... 'That ... is ... the ... cosmos - !!!'[3], and ... of course[3], and, I know, I know[3], and music is even better ... no nasty thoughts![3], and ... 'Anything else, then? Music?'[3], and not here, Voice, not now[3], and ... 'Come on!'[3], and all right, all right ... uh ... if Malibu isn't the best song about California, it's definitely the second best[3], and ... 'Okay'[3], and it's a toss-up between Hotel California and Malibu[3], and, so ... laters![3], and
