Thursday, 17 October 2013

[No. 161] What do we know about Mark Barnett at Invesco Perpetual?

Not a lot.

And I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[1], and there's NOTHING TO KNOW[1], and I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[2], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[1], and there's NOTHING TO KNOW[2], and there's NOWHERE TO HIDE[1], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[2], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[1], and there's NOWHERE TO HIDE[2], and there's NO REALITY, NONE[1], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[2], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[1], and there's NO REALITY, NONE[2], and there's NO MYSTERY, NONE[1], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[2], and he's here / and he's there[1], and there's NO MYSTERY, NONE[2], and where are we? / LOST!!![1], and he's here / and he's there[2], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[1], and where are we? / LOST!!![2], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[1], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[2], and I need / to get beyond / the THREE / more than ever / right now[1], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[2], and what do we want to know about anyone?[1], and I need / to get beyond / the THREE / more than ever / right now[2], and I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[3], and what do we want to know about anyone?[2], and there's NOTHING TO KNOW[3], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[3], and there's NOWHERE TO HIDE[3], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[3], and there's NO REALITY, NONE[3], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[3], and there's NO MYSTERY, NONE[3], and he's here / and he's there[3], and where are we? / LOST!!![3], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[3], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[3], and I need / to get beyond / the THREE / more than ever / right now[3], and what do we want to know about anyone?[3], and

And I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[1], and there's NOTHING TO KNOW[1], and I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[2], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[1], and there's NOTHING TO KNOW[2], and there's NOWHERE TO HIDE[1], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[2], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[1], and there's NOWHERE TO HIDE[2], and there's NO REALITY, NONE[1], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[2], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[1], and there's NO REALITY, NONE[2], and there's NO MYSTERY, NONE[1], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[2], and he's here / and he's there[1], and there's NO MYSTERY, NONE[2], and where are we? / LOST!!![1], and he's here / and he's there[2], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[1], and where are we? / LOST!!![2], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[1], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[2], and I need / to get beyond / the THREE / more than ever / right now[1], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[2], and what do we want to know about anyone?[1], and I need / to get beyond / the THREE / more than ever / right now[2], and I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[3], and what do we want to know about anyone?[2], and there's NOTHING TO KNOW[3], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[3], and there's NOWHERE TO HIDE[3], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[3], and there's NO REALITY, NONE[3], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[3], and there's NO MYSTERY, NONE[3], and he's here / and he's there[3], and where are we? / LOST!!![3], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[3], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[3], and I need / to get beyond / the THREE / more than ever / right now[3], and what do we want to know about anyone?[3], and

And I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[1], and there's NOTHING TO KNOW[1], and I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[2], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[1], and there's NOTHING TO KNOW[2], and there's NOWHERE TO HIDE[1], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[2], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[1], and there's NOWHERE TO HIDE[2], and there's NO REALITY, NONE[1], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[2], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[1], and there's NO REALITY, NONE[2], and there's NO MYSTERY, NONE[1], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[2], and he's here / and he's there[1], and there's NO MYSTERY, NONE[2], and where are we? / LOST!!![1], and he's here / and he's there[2], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[1], and where are we? / LOST!!![2], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[1], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[2], and I need / to get beyond / the THREE / more than ever / right now[1], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[2], and what do we want to know about anyone?[1], and I need / to get beyond / the THREE / more than ever / right now[2], and I could tell you everything about the colours and the sounds of my mind, the worlds inside, but it's Mark Barnett we're trying to deal with, right now[3], and what do we want to know about anyone?[2], and there's NOTHING TO KNOW[3], and I could tell you everything about the fears and the hopes of a madman, the mystic one, but it's Mark Barnett we're running away from, right now[3], and there's NOWHERE TO HIDE[3], and I could tell you everything about the dead and the ghosts in the past, that faded so fast, but it's Mark Barnett we're living with, the reality, right now[3], and there's NO REALITY, NONE[3], and I could tell you everything about the days and the years of the future, that seem so unreal, but it's Mark Barnett we're facing, like a mystery, right now[3], and there's NO MYSTERY, NONE[3], and he's here / and he's there[3], and where are we? / LOST!!![3], and I could tell you everything ... but I refuse, I absolutely refuse, because / you don't want to know[3], and so / let's get a-ROUND / let's get a-ROUND / let's get a-ROUND / yeah, yeah, yeah[3], and I need / to get beyond / the THREE / more than ever / right now[3], and what do we want to know about anyone?[3], and